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  • Schlap v1.1.0 WiN-R2R
    October 27th, 2023 ⚡MaGeSY®
    Categories: AAX, WiNDOWS, x64

    Schlap v1.1.0 WiN-R2R

    Schlap v1.1.0 WiN

    Team R2R | 14 March 2023 | 4.62 MB

    ..:: VST3, x64 & AAX ::..

    If you want your tracks to be energetic, in-your-face and bold, make ’em “Schlap”. Schlap is a characterful, colourful and aggressive sounding program-dependent compressor. It takes inspiration from hardware RMS compressors of the past and evolves them into a modern setting. The compressor uses a program-dependent attack and release influenced by old hardware making the compression sound characterful and dynamic. The RMS detection means that Schlap detects the average loudness of a signal, resulting in sudden short peaks being uncompressed so that they can attack hard and sound heavy hitting. Also inherently in RMS detection, there is a slight delay in compression which allows the initial, early transients to sneak through uncompressed so they keep their punch. You’ve got a safe, controlled track you think you’re happy with, but you have to ask yourself… “Does it Schlap?”



    Viewed 42474 By Music Producers.


    • SILIKA v1.1.0 WiN-R2R
      January 4th, 2022 ⚡MaGeSY®
      Categories: AAX, VST, VST3, WiNDOWS, x64, x64

      SILIKA v1.1.0 WiN-R2R

      SILIKA v1.1.0 WiN

      Team R2R | 24 Sep 2021 | 66.3MB

      ..:: VST, VST3, AAX, x64 ::..

      One particular flavor of vintage compressors that clip beautifully, we have completely closed the Analog/Digital gap. SILIKA is not ‘close’, it’s not ‘different but just as good’. It’s ‘Sonically Identical’ to the types of hardware it’s modeled after. When you drive this plugin’s input, everything melts deliciously. In particular, the high frequencies lay back and spread out without getting edgy, or bright, or even the least bit ‘zingy’. It may get too grindy, but it won’t hurt your ears. Think Led Zeppelin IV’s hazy grunge, and you’ll start to get the idea. SILIKA owes its killer sound to an extraordinarily complex harmonic distortion generator, but operationally it’s a relatively simple compressor with a familiar feature set. All of its distortions are controlled with the Input knob, which can be switched and blended to taste. The resulting signal then gets passed to a compressor/limiter with 4 available ratios, standard Attack/Release/Threshold/Mix controls, and sidechain filtering options which, while simple, allow for a dramatic reshaping of the compressor’s behavior.



      Viewed 8142 By Music Producers.


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