TTRCK Plugins Pack 2014.05.17 WiN MAC
Team R2R |WiN | MAC 2014.05.17 | 983.87 MB
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Consider some of the great analog synthesizers of the 1980’s: Roland Jupiter 8, Rhodes Chroma, Elka Synthex, Crumar* Bit One. Well, That last one may not appear on everyone’s list, but for the dwindling number of people who own a Crumar* Bit synth, almost all agree that the sound that comes out of this beast is first class – somewhere between an OB-X and a Synthex; bright & punchy but also rich & eerie Unfortunately, there are a few down sides to this machine – reliability, poor midi spec, missing features and an awkward programming interface are generally the most common grievances. MNX have cast those issues aside with the release of our Bit-100 software emulation of the original Bit One, which combines all of the punchy sound, plus the unique features of the Bit One (such as velocity control of pulse width), with all of the advantages of a software implementation. We’re not aware of any other synth which implements DCOs in quite the same way as the Crumar Bit range. In my opinion, they sound superb. Fortunately, they appear to lend themselves to digital emulation quite well. The Oscillators are complex though, and when combined with our highly refined V2 filter and envelope stages, the result can be heavy CPU usage. Please note that unison mode and oscillator LFO modulation will increase CPU usage considerably, as will long VCA envelope release times
LimitX – unique limiting with NLSRT™, intelligently prevents “overs” while preserving your sound! Snap! – utilizing NLSRT™ to restore dynamics to your tracks, or to samples. Put back the attack! BoostX – uses NLSRT™ for a non-linear fader that brings up the soft sounds more than the loud. Really!
Founded in 2005, 112dB is a company committed to producing high quality virtual plugins with an emphasis on characterful interpretations of digital devices and innovative products. Designed with the professional producer, performing musician, and amateur/enthusiast in mind, 112dB seeks to put new creative tools in the hands of all of those for whom the computer is an integral part of the music-making process.