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  • ShapeShifter v1.1 WiN MAC-FLARE
    January 20th, 2021
    Categories: AAX, AU, macOS, VST3, WiNDOWS, x64

    ShapeShifter v1.1 WiN MAC-FLARE

    ShapeShifter v1.1 WiN MAC

    FLARE | 20 January 2021 | WiN: 31.0 MB | OSX: 35.2 MB

    .: AU, AAX, VST3, x64 :.

    Inspired by SketchCassette’s NR Comp algorithm, ShapeShifter is a one-of-a-kind dynamics remodeler and character compressor that will completely transform the shape of your sounds. ShapeShifter molds a blend of multi-band upward and downward compression into a toolbox for adding color, body, and grit to your sounds. This can take the form of anything from magesy download a subtle vibe boost to blown-open, raucous carnage.



    Viewed 6030 By Music Producers.


    • AVA Bass Flow v1.0.0 WiN-R2R
      January 20th, 2021
      Categories: AAX, VST, VST3, WiNDOWS, x64, x64

      AVA Bass Flow v1.0.0 WiN-R2R

      AVA Bass Flow v1.0.0 WiN

      Team R2R | 20 Jan 2021 | 5.8MB

      PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

      AVA Bass Flow is a channel strip plug-in designed for mixing bass. It contains 4 routable processing elements and a master section with input, output, and routing controls.



      Viewed 2293 By Music Producers.

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      • AVA Vocal Flow v1.1.0 WiN-R2R
        January 20th, 2021
        Categories: AAX, VST, VST3, WiNDOWS, x64, x64

        AVA Vocal Flow v1.1.0 WiN-R2R

        AVA Vocal Flow v1.1.0 WiN

        Team R2R | 20 Jan 2021 | 5.8 MB

        PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

        The AVA Vocal Flow is an all-in-one signal processing suite for mixing vocals in your music. It contains 7 routable signal processing elements along with input and output controls. The AVA-VF is a “greatest hits” compilation of most sought-after console elements, specifically selected for mixing vocals!



        Viewed 16357 By Music Producers.


        • FX Collection 2021-01 WiN CE REV-2-V.R
          January 20th, 2021
          Categories: AAX, VST, VST3, WiNDOWS, x64

          FX Collection 2021-01 WiN CE REV-2-V.R

          FX Collection 2021-01 WiN

          Team V.R | 20 January 2021 | 1.21 GB

          (Win64; AAX, VST3, VST)

          Treat your sound right

          The result of decades of dedicated research, analysis, and modelling, these 15 superb effects will totally transform the way you record and mix your music. Combining history’s finest outboard effects, console components, and pedals with fresh, contemporary features and abilities, FX Collection is an essential tool for the modern producer.



          Viewed 47653 By Music Producers.


          • Weiss EQ MP v2.5.12 WiN-R2R
            January 20th, 2021
            Categories: News

            Weiss EQ MP v2.5.12 WiN-R2R

            Weiss EQ MP v2.5.12 WiN

            Team R2R | 2021.01.20 | 9.2 MB

            PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

            There are equalizers with beaucoup bands and loads of features to fiddle with, and then there is equalizing so pared-down-precise that it cuts like a scalpel. Paging Weiss EQ MP. Developed through the thriving partnership between Softube and Weiss Engineering, the Weiss EQ MP is an equalizer honed for professional-grade use. Built on the minimum phase algorithm of the legendary Weiss EQ1, we designed EQ MP for exacting mixing applications that necessitate a surgical EQ and sound quality that’s a cut above the rest. With seven bands, just like the acclaimed EQ1, Weiss EQ MP gives you that famous EQ1 transparency coupled with the sharpest accuracy possible. Achieve stunning clarity in your mixes with Weiss EQ MP, the sonic surgeon with the golden bands.



            Viewed 4506 By Music Producers.


            • Weiss EQ1 v2.5.12 WiN-R2R
              January 20th, 2021
              Categories: AAX, Softube, VST, VST3, WiNDOWS, x64, x64

              Weiss EQ1 v2.5.12 WiN-R2R

              Weiss EQ1 v2.5.12 WiN

              Team R2R | 2021.01.20 | 10 MB

              PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

              There’s a reason Weiss Engineering’s EQ1 has been at the top of the heap since its release in 1996. The EQ1’s dazzling sonic qualities combined with its flexibility as either a Minimum Phase EQ, a Linear Phase EQ, or a Dynamic EQ have made it the must-have digital mastering equalizer. The Weiss EQ1 plug-in crystallizes that legacy—in software form. Weiss Engineering’s go-to hardware and Softube’s workflow and ergonomic advancements combine here to stunning effect. A one-for-one, line-by-line code port of the original, the EQ1 plug-in is the latest and greatest addition to Softube’s successful partnership with Weiss Engineering. EQ1 joins DS1-MK3, MM-1, and more out-of-this-world Weiss + Softube products to prove that Swiss and Swedish engineering make a stellar pair.



              Viewed 5460 By Music Producers.


              • SketchCassette II v2.1 WiN MAC-FLARE
                January 20th, 2021
                Categories: AAX, AU, macOS, VST3, WiNDOWS, x64

                SketchCassette II v2.1 WiN MAC-FLARE

                SketchCassette II v2.1 WiN MAC

                FLARE | 20 January 2021 | WiN: 36.3 MB | OSX: 57.7 MB

                .: AU, AAX, VST3, x64 :.

                Inspired by 4-track cassette recorders, ​SketchCassette II ​is designed to introduce a wide array of lo-fi effects into your mixes. From subtle warble to unearthed-from-the-attic destruction, ​SketchCassette II unlocks the full range of cheap tape sounds, while also offering the flexibility and control to push your sounds even further into total lofi weirdness.



                Viewed 4999 By Music Producers.


                • TBPA Plugins Pack 2021.01 WiN CE-V.R
                  January 20th, 2021

                  TBPA Plugins Pack 2021.01 WiN CE-V.R

                  TBPA Plugins Pack 2021.01 WiN

                  Team V.R | 20 January 2021 | 63.77 MB

                  (Win32/64; AAX*, RTAS, VST3, VST, STANDALONE)



                  Viewed 166903 By Music Producers.


                  • Wurlitzer v2.0 AU AAX VSTi KONTAKT WiN MAC-DECiBEL
                    January 19th, 2021
                    Categories: AAX, AU, KONTAKT, macOS, VSTi, WiNDOWS

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                    Wurlitzer v2.0 WiN MAC

                    Team DECiBEL | 23 Sep 2019 | ~10 GB

                    …::: AU, AAX, VSTi, KONTAKT :::…

                    Wurlitzer virtual instrument plugin was sampled from magesy download an “early model” 1970’s Wurlitzer 200A electronic piano. The process began by close-miking the piano with Beyerdynamic MC930 condenser microphones on the Wurlitzer’s built-in speakers, and an AEA R84 Ribbon Mic on the line-out signal through a Fender Deluxe Reverb Amp. These signals were fed into Grace M101 and AEA TRP Preamps respectively. The wurlitzer’s amplifier and preamp were re-capped in an attempt to save the amplifier, but about half way through the sampling process the amplifier died, which eventually killed the power transformer. The preamp, amp, and power transformer were all replaced and sampling continued. Well sampling the bass notes, it became apparent that the Wurlitzer’s built in speakers also needed to be replaced.



                    Viewed 24102 By Music Producers.


                    • God Mode v1.0.1 WiN MAC RETAiL-SYNTHiC4TE
                      January 18th, 2021
                      Categories: AAX, AU, macOS, VST, VST3, WiNDOWS, x64

                      God Mode v1.0.1 WiN MAC RETAiL-SYNTHiC4TE

                      God Mode v1.0.1 WiN MAC

                      SYNTHiC4TE | May 22 2020 | WiN 4.7 MB | OSX 14.7 MB

                      VST, VST3, AU, AAX, x64

                      The God Mode introduces a new push-pull technology giving you full control over what frequencies to saturate and distort. It’s node EQ graph and linear phase filters allow for unlimited options to shape the coloration of your sound. The push-pull technology is inspired by the legendary analog Pultec EQ, a passive tube eq from magesy download the 50s, widely used in the 70s/80s for both broadcasting and mixing. The Pultec EQ would ‘push’ the gain for a certain frequency range into its tube circuit, and would then ‘pull’ it back again, to smooth out the frequency response. This creates a sound close to the original but with a nice warmth added to the boosted frequency ranges. The God Mode introduces a modern version of this technique. The first step to using the God Mode is to boost or ‘push’ certain frequencies in your track that you like to be more saturated or distorted. You can for example use one shelf to boost the highs and one peak to boost a certain color or resonance. Because you push these frequencies harder into the saturation algorithm, they will be naturally more affected by it. The second step is to decide if and how much ‘pull’ to apply to the boosted frequencies. This gives you creative control over the amount of coloration and the option to create a perfectly balanced frequency response for your track.



                      Viewed 30490 By Music Producers.





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