Around 30 instruments were captured and I’ve tried to draw upon a number of basic synthesis methods including divide down/formant, classic subtractive, DCO, digital FM and additive as well as capturing some tube synth textures from three vintage synths. Synths included the DK Synergy and ultra rare Mulogix Slave-32, Rhodes Chroma, Octave Cat Voyetra-Eight, Farfisa Syntorchestra, ProphetVS, Elka Synthex, Oberheim OB-X and Matrix 1000, Korg PS-3100. Tube synths included the Hammond Novachord, a Jennings Univox J6 and a heavily modified Cordovox CG-1.
Novachord #346 is now 80 years old & has proven to be a truly unique sonic ingredient!
1938 Novachord #346, Eminent 310U, Minimoog T2798E, ORLA DSE-24, Böhm Dynamic 4×9, Oberheim OB-X, Jennings Univox J6 tube monosynth, Studio Electronics OB-8,Sequential Prophet 600, Sequential ProphetVS, Octave Cat Voyetra Eight, Sequential Six-Trak, Rhodes Chroma, Korg PE-1000, Korg PS-3100, Waldorf microWave I, Yamaha TX802, Yamaha TX81Z, Custom Cordovox CG-1 tube polysynth, Oberheim Matrix 1000, DK Synergy II+, Mulogix Slave 32, Evolution EVS-1, Roland D-110, Roland JX-8P, Roland JUNO-106, Roland VP-330, Roland alpha-Juno II, Elka Synthex, Farfisa Syntorchestra, Crumar Performer, Crumar Bit One…